In 2025, my journey at the Académie Art de la Parole marked a deeper dive into versification and classical interpretation. I presented Charles Baudelaire’s sonnet La Mort des Amants, exploring rhythm, nuance, and the delicate tension between language and emotion before a live audience. Each line was an exercise in…
By 2023, my performance style had begun to gain recognition at the Académie Art de la Parole in Auderghem. It inspired my classmates to explore Mouvement Panique with a more corporeal approach, letting the body dictate rhythm and intensity. Collaborating with the music department on guitar, I performed Fernando Arrabal’s…
After the long, suffocating pause of COVID, when the stage had become a distant memory, I took a leap: I auditioned and enrolled in the Académie Art de la Parole in Auderghem, Brussels. The greatest challenge was pronunciation. I shared a classroom with native French speakers, and I knew the…
In 2019, I entered an intense theatrical collaboration with Teater Lingkar Semarang, a project forged under pressure and trust. We had only two effective weeks to build the performance. The memorization began in Belgium, long before my arrival in Semarang, and from the very first day on Indonesian soil the…